Free Download Music Production & Engineering Magic 5 Courses Into 1 Published 3/2024 MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz Language: English | Size: 10.87 GB | Duration: 17h 33m Avid Protools : Logic Pro : FL Studios : Music Mixing : ChatGPT : AI : Audio Production : Audio Engineering Free Download Build Radio – Music Player From Scratch–Android Studio Published 3/2024 MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz Language: English | Size: 460.02 MB | Duration: 1h 15m In this Course, You Will Build an Online Radio/ Music Player Using Android Studio and Java Free Download Mars by 1980: The Story of Electronic Music by David Stubbs English | January 1, 2018 | ISBN: 0571323979 | True EPUB | 448 pages | 5.2 MB Electronic music is now ubiquitous, from mainstream pop hits to the furthest reaches of the avant-garde. The future, a long time coming, finally arrived. But how did we get here? Free Download John Birchensha: Writings on Music By Christopher D. S. Field, Benjamin Wardhaugh 2010 | 342 Pages | ISBN: 0754662136 | PDF | 14 MB John Birchensha (c. 1605-1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules' - his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma musicae. Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c. 1664 ("A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick") which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma musicae; a detailed synopsis for Syntagma musicae which he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma musicae. Free Download Introduction to a Philosophy of Music By Peter Kivy 2002 | 278 Pages | ISBN: 0198250479 | PDF | 69 MB Philosophy of music has flourished in the last thirty years, with great advances made in the understanding of the nature of music and its aesthetics. Peter Kivy has been at the center of this flourishing, and now offers his personal introduction to philosophy of music, a clear and lively explanation of how he sees the most important and interesting philosophical issues relating to music. Anyone interested in music will find this a stimulating introduction to some fascinating questions and ideas. Free Download Interspecies Communication: Sound and Music beyond Humanity Gavin Steingo English | 2024 | ISBN: 0226831337 | 250 Pages | True PDF | 1.74 MB Free Download Fabien Arribert-Narce, "Intermedial Encounters Between Image, Music and Text: With and Beyond Roland Barthes " English | ISBN: 1803740337 | 2023 | 240 pages | EPUB, PDF | 9 MB + 19 MB This collection argues that Roland Barthes has much to teach us about intermediality. Analysing works by Breton, Hitchcock, Sebald, Spielberg and Tawada and more, the book demonstrates that Barthes' critical practice provides a means of exploring crucial issues at the intersection image and text through history. Free Download Guillaume Heuguet, "How Music Changed YouTube" English | ASIN : B0C92CGT9V | 2024 | 160 pages | EPUB | 461 KB How do digital technologies transform music? The answer depends on the lens of one's analysis: creation, promotion, or the experience of the listener. How Music Changed YouTube shows that the reverse question - How does music transform digital technologies? - is also worth exploring: through reliance on sound recording and music, internet technologies and media are manufactured, transformed, and come to dominate. Free Download Historical Performance and New Music: Aesthetics and Practices by Rebecca Cypess, Estelí Gomez English | 2024 | ISBN: 1032291427 | 250 Pages | PDF/ePUB (True) | 26/3.8 MB Free Download Jenny Fuhr, "Experiencing Rhythm: Contemporary Malagasy Music and Identity" English | ISBN: 1443850470 | 2013 | 205 pages | PDF | 784 KB How is rhythm experienced? What role does rhythm play in musicians' search for a collective musical identity? These questions are answered in this book on the fascinating blend of musical styles and influences within contemporary Malagasy music. Madagascar is the fourth largest island in the world, the footprint between Africa and Asia, with a history marked by many waves of migration. Over the centuries, a wide range of styles of music, of instruments and of dance have become a part of the island's musical palette. Despite this and the resulting diversity of regional musical particularities, musicians claim there is one element they all share: a common rhythmical base. To explore this claim and the meaning of rhythm in the Malagasy context, Jenny Fuhr makes use of her dual role as musician and researcher. Self-reflexive field research combined with learning to play and perform Malagasy music enables a profound intercultural dialogue. This book shows how her intense involvement in music-making and a constant dialogue between musical experiences and discourses opens up new paths of understanding. In doing so, it challenges prevalent Western analytical perspectives on music and demonstrates the need for a more performance-based approach to ethnomusicology. |