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 Voicing Girlhood in Popular Music: Performance, Authority, Authenticity By Jacqueline Warwick (editor), Allison Adrian (editor) 2016 | 310 Pages | ISBN: 1138916498 | PDF | 3 MB This interdisciplinary volume explores the girl's voice and the construction of girlhood in contemporary popular music, visiting girls as musicians, activists, and performers through topics that range from female vocal development during adolescence to girls' online media culture. While girls' voices are more prominent than ever in popular music culture, the specific sonic character of the young female voice is routinely denied authority. Decades old clichés of girls as frivolous, silly, and deserving of contempt prevail in mainstream popular image and sound. Nevertheless, girls find ways to raise their voices and make themselves heard. This volume explores the contemporary girl's voice to illuminate the way ideals of girlhood are historically specific, and the way adults frame and construct girlhood to both valorize and vilify girls and women. Interrogating popular music, childhood, and gender, it analyzes the history of the all-girl band from the Runaways to the present; the changing anatomy of a girl's voice throughout adolescence; girl's participatory culture via youtube and rock camps, and representations of the girl's voice in other media like audiobooks, film, and television. Essays consider girl performers like Jackie Evancho and Lorde, and all-girl bands like Sleater Kinney, The Slits and Warpaint, as well as performative 'girlishness' in the voices of female vocalists like Joni Mitchell, Beyoncé, Miley Cyrus, Taylor Swift, Kathleen Hanna, and Rebecca Black. Participating in girl studies within and beyond the field of music, this book unites scholarly perspectives from disciplines such as musicology, ethnomusicology, comparative literature, women's and gender studies, media studies, and education to investigate the importance of girls' voices in popular music, and to help unravel the complexities bound up in music and girlhood in the contemporary contexts of North America and the United Kingdom.  Freedom Girls: Voicing Femininity in 1960s British Pop By Alexandra M. Apolloni 2021 | 336 Pages | ISBN: 0190879890 | PDF | 3 MB Freedom Girls: Voicing Femininity in 1960s British Pop shows how the vocal performances of girl singers in 1960s Britain defined-and sometimes defied-ideas about what it meant to be a young woman in the 1960s British pop music scene. The singing and expressive voices of Sandie Shaw, CillaBlack, Millie Small, Dusty Springfield, Lulu, Marianne Faithfull, and P.P. Arnold, reveal how vocal sound shapes access to social mobility, and consequently, access to power and musical authority. The book examines how Sandie Shaw and Cilla Black's ordinary girl personas were tied to whiteness and,in Black's case, her Liverpool origins. It shows how Dusty Springfield and Jamaican singer Millie Small engaged with the transatlantic sounds of soul and and ska, respectively, transforming ideas about musical genre, race, and gender. It reveals how attitudes about sexuality and youth in rockculture shaped the vocal performances of Lulu and Marianne Faithfull, and how P.P. Arnold has re-narrated rock history to center Black women's vocality. Freedom Girls draws on a broad array of archival sources, including music magazines, fashion and entertainment magazines produced for young women, biographies and interviews, audience research reports, and others to inform analysis of musical recordings (including such songs as "As Tears Go By,""Son of a Preacher Man," and others) and performances on television programs such as Ready Steady Go!, Shindig, and other 1960s music shows. These performances reveal the historical and contemporary connections between voice, social mobility, and musical authority, and demonstrate how singers usedvoice to navigate the boundaries of race, class, and gender.  English | 2022 | ISBN: 0691215138 | 233 pages | True PDF EPUB | 12.03 MB Why your political beliefs are influenced by the language you speak Voicing Politics brings together the latest findings from psychology and political science to reveal how the linguistic peculiarities of different languages can have meaningful consequences for political attitudes and beliefs around the world. Efrén Pérez and Margit Tavits demonstrate that different languages can make mental content more or less accessible and thereby shift political opinions and preferences in predictable directions. They rigorously test this hypothesis using carefully crafted experiments and rich cross-national survey data, showing how language shapes mass opinion in domains such as gender equality, LGBTQ rights, environmental conservation, ethnic relations, and candidate evaluations.  English | 2021 | ISBN: 9004468390 | 361 pages | pdf | 2.09 MB Beckett's Voices / Voicing Beckettuses 'voice' as a prism to investigate Samuel Beckett's work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett's contemporary artistic legacy in relation to music, media, performance, and philosophy. [center]  Voicing in Japanese By Jeroen van de Weijer, Kensuke Nanjo, Tetsuo Nishihara 2005 | 324 Pages | ISBN: 3110186004 | PDF | 4 MB This book presents a number of studies which focus on the [voice] grammar of Japanese, paying particular attention to historical background, dialectal diversity, phonetic experiment, and phonological analysis. Both voicing processes in consonants (such as Sequential Voicing, or Rendaku) and vowels (such as vowel devoicing) are examined. A number of new analyses are presented, focusing on well-known data that have been controversial in phonological debate in the past, but also presenting new (or rediscovered) data, partly through the work of Japanese scholars that hitherto went mostly unnoticed, partly through new database research, and partly through phonetic experiment.  Richard Middleton "Voicing the Popular: On the Subjects of Popular Music" English | 2006-05-03 | ISBN: 0415975905 | 352 pages | PDF | 3,1 MB Voicing the Popular brings together aspects of political economy, cultural history, and musical interpretation to examine the rise of popular music over the past 50 years. |
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