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Free Download The Proof Stage: How Theater Reveals the Human Truth of Mathematics by Stephen Abbott English | July 11th, 2023 | ISBN: 0691206082 | 416 pages | True EPUB | 51.34 MB How playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stage Free Download The Predatory Lies of Anorexia: A Survivor's Story by Abby D. Kelly English | March 17, 2017 | ISBN: 1940784174 | 196 pages | EPUB | 0.30 Mb I want...I want you to think I am the smartest, the thinnest, the most beautiful..." With these words, Abby Kelly encapsulates the overwhelming struggle of her 15-year bout with anorexia. Abby lays bare the reality of anorexia, beginning in her teenage years, when the predatory lies of the disease took root in her psyche. In her quest for a greater sense of personal power, she concludes "I'll be 'more', but it will be on my terms." 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Free Download Claudia Leeb, "The Politics of Repressed Guilt: The Tragedy of Austrian Silence" English | ISBN: 1474413242 | 2018 | 256 pages | PDF | 2 MB Drawing on the work of Hannah Arendt and Theodor W. Adorno, this book illustrates the relevance and applicability of a political discussion of guilt and democracy. It appropriates psychoanalytic theory to analyse court documents of Austrian Nazi perpetrators as well as recent public controversies surrounding Austria's involvement in the Nazi atrocities and ponders how the former agents of Hitlerite crimes and contemporary Austrians have dealt with their guilt. Free Download The Personal Development Group; The Student's Guide; Second Edition by Chris Rose English | 2023 | ISBN: 1032229373 | 141 pages | True PDF | 7.49 MB Free Download The Oxford Handbook of Chinese Cinemas By Carlos Rojas (editor), Eileen Chow (editor) 2013 | 736 Pages | ISBN: 019976560X | PDF | 24 MB What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity ― all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages. |