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 Free Download Impossible, Possible, and Improbable by John Gribbin English | September 1st, 2022 | ISBN: 1785788825 | 253 pages | PDF | 13 Mb 'Gribbin has inspired generations with his popular science writing' Jim Al-Khalili  Free Download Implementing Event-Driven Microservices Architecture in .NET 7: Develop event-based distributed apps that can scale with ever-changing business demands using C# 11 and .NET 7 by Joshua Garverick, Omar Dean McIver English | March 17, 2023 | ISBN: 1803232781 | 326 pages | MOBI | 11 Mb Implement modern design patterns that leverage domain-driven data, to achieve resiliency and scalability for data-dependent applications  Free Download Implementing Azure Solutions: Eliminate the pain point of implementation by Florian Klaffenbach, Jan-Henrik Damaschke, Oliver Michalski English | May 19, 2019 | ISBN: 1786467852 | 518 pages | MOBI | 30 Mb A practical guide that enhances your skills in implementing Azure solutions for your organization  Free Download Lia Paradis, "Imperial Culture and the Sudan: Authorship, Identity and the British Empire" English | 2020 | ISBN: 1788318994, 0755637534 | EPUB | pages: 264 | 1.2 mb General Gordon's death in the Sudan marks the height of imperial cultural fever. Even in the late nineteen seventies, the themes of Khartoum were still the basis for children's stories, comic books, and depictions of masculinity.Imperial Culture in the Sudan seeks to examine the cultural impact of Sudan on the popular image of the British empire - why were these colonial administrators characterized as 'adventurers'? Why was Sudan and the story of General Gordon so popular? The author argues it coincided with the mass production of popular journalism, the height of Jingoism as a cultural product and therefore a study of Sudan's experience tells us a lot about the British Empire - how it was made, consumed and remembered.  Free Download Anthony Chang, Ku-ming (Kevin) / Most, Glenn Warren / Grafton, "Impagination - Layout and Materiality of Writing and Publication" English | ISBN: 3110698463 | 2021 | 400 pages | EPUB | 17 MB This volume is a comparative study of the practice of impagination across different ages and civilizations. By impagination we mean the act of placing and arranging spatially textual and other information onto a material bearer that could be made of a variety of materials (papyrus, bamboo slips, palm leaf, parchment, paper, and the computer screen). This volume investigates three levels of impagination: what is the page or other unit of the material bearer, what is written or printed on it, and how is writing or print placed on it. It also examines the interrelations of two or all three of these levels. Collectively it examines the material and materiality of the page, the variety of imprints, cultural and historical conventions for impagination, interlinguistic encounters, the control of editors, scribes, publishers and readers over the page, inheritance, borrowing and innovation, economics, aesthetics and socialities of imprints and impagination, and the relationship of impagination to philology. This volume supplements studies on mise en page and layout - an important subject of codicology - first by including non-codex writings, second by taking a closer look at the page or other unit than at the codex (or book), and third by its aspiration to adopt a globally comparative approach. This volume brings together for comparison vast geographical realms of learning, including Europe, China, Tibet, Korea, Japan and the Near Eastern and European communities in which the Hebrew Bible was transmitted. This comparison is significant, for Europe, China, and India all developed great traditions of learning which came into intensive contact. 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Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. 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