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In his famous sermon "Sinners in the Hands of an Angry God," Puritan revivalist Jonathan Edwards shaped predominating American theology with a vision of God as angry, violent, and retributive. Three centuries later, Brian Zahnd was both mesmerized and terrified by Edwards's wrathful God. Haunted by fear that crippled his relationship with God, Zahnd spent years praying for a divine experience of hell. What Zahnd experienced instead was the Father's love-revealed perfectly through Jesus Christ-for all prodigal sons and daughters. In Sinners in the Hands of a Loving God, Zahnd asks important questions like: Is seeing God primarily as wrathful towards sinners true or biblical? Is fearing God a normal expected behavior? And where might the natural implications of this theological framework lead us? Thoughtfully wrestling with subjects like Old Testament genocide, the crucifixion of Jesus, eternal punishment in hell, and the final judgment in Revelation, Zanhd maintains that the summit of divine revelation for sinners is not God is wrath, but God is love.  Free Download Simple Object Oriented Design (MEAP V05) English | 2023 | ISBN: 9781633437999 | 175 pages | PDF | 3.98 Mb Simple Object Oriented Design: A guide to creating clean, maintainable code is a comprehensive handbook of design practices, principles, and patterns that help simplify object-oriented software. The book is aimed at the working developer. There's no perfection-chasing classroom theory that fails in practice-you'll master "good enough" techniques that are effective in real-world environments.  Free Download Similarity Search: The Metric Space Approach by Pavel Zezula , Giuseppe Amato , Vlastislav Dohnal , Michal Batko English | PDF | 2006 | 227 Pages | ISBN : 0387291466 | 12.2 MB  Free Download Daniel C. 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The focus is first on Shake-speares Sonnets of 1609, and secondly on Othello, Hamlet, and Twelfth Night, all of which are found to be composed around the concealed anagrams that render these works self-interpreting. As such, a new kind of language use is revealed, in which pre-Enlightenment text is envisaged as existing in two distinct dimensions-the overt and the covert-both of which must be read if any particular poem or play is to be fully understood. In effect, a wholly new set of Shakespearean texts is made available to the reader, who will find Shakespeare's Verbal Art an essential guide to the new discoveries. The book will also be indispensable in the fields of linguistics, poetics, rhetoric, literary history, Classical Latin and Renaissance literature, and in relation to pre-Enlightenment text in general, and will interest any language-lover. |
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