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In 1956 he and John Chadwick published Documents in Mycenaean Greek, which gave an account of the decipherment, of the language of the tablets, of the society and economy revealed by the documents and a series of chapters giving texts, translations and commentary of the most important tablets. Though partially updated in 1973, Documents is now very much outdated: there has been a vast accrual of bibliography on the subject since 1973, and discoveries of tablets at new sites. This new survey, written by fourteen of the world's leading experts, will bring the reader fully up-to-date with developments in all aspects of Mycenaean studies, concluding with a new, full glossary of all the most recently discovered words.  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Although Röpke recognized the validity of the nation in the modern world, he was constantly trying to find the smaller agencies within society in which real allegiances and loyalties were to be developed. His ideas continue to be of significance. As described by William F. Campbell in the new introduction, The Moral Foundations of Civil Society is a necessary addition to the libraries of economists, sociologists, theologians, and philosophers.  Free Download James E. Caron, "The Modern Feminine in the Medusa Satire of Fanny Fern " English | ISBN: 3031412753 | 2024 | 230 pages | EPUB, PDF | 426 KB + 3 MB The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called "the damn mob of scribbling women." The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous's laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton's persona, capable of both an amiable and a caustic satire. The book traces Parton's burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton's concept of |
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