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 Free Download Angus Dunnington, "Winning Unorthodox Openings" English | 2000 | ISBN: 1857442857 | PDF | pages: 148 | 3.8 mb You are all geared up as Black to play a sharp main-line opening - but then White opens with some unusual first move. Every chess player knows how disconcerting this can be, and how easy it is for Black to land in trouble if he reacts incautiously. This book is the first time that a master has provided sound practical advice on how to handle both the white and the black side of these openings. Dunnington's commonsense approach to such openings as the Bird, Nimzo-Larsen, Sokolsky and Grob is based on his many years of experience of club, weekend and international chess. This book contains concise coverage of White's alternatives to 1 e4, 1 d4, 1 c4 1 Nf3. It is written by an expert on subtle flank openings and equips the reader for all key transpositions. It explains winning strategies for White and Black.  Free Download Wild Ride: A Memoir of I.V. Drips and Rocket Ships by Hayley Arceneaux English | September 6, 2022 | ISBN: 0593443845 | 208 pages | PDF | 1.94 Mb The youngest American to ever orbit the earth-cancer survivor Hayley Arceneaux-shows us all that when we face our fears with hope and faith, extraordinary things can happen.  Free Download Karen Frost-Arnold, "Who Should We Be Online?: A Social Epistemology for the Internet" English | ISBN: 0190089180 | 2023 | 280 pages | PDF | 11 MB Global inequalities and our social identities shape who we are, who we can be online, and what we know. From social media to search engines to Wikipedia, the internet is thoroughly embedded in how we produce, find, and share knowledge around the world. Who Should We Be Online? examines the challenges of the online world using numerous epistemological approaches. Tackling problems of online content moderation, fake news, and hoaxes, Frost-Arnold locates the role that sexism, racism, and other forms of oppression play in creating and sharing knowledge online.  Free Download When Time Warps: The Lived Experience of Gender, Race, and Sexual Violence By Megan Burke 2019 | 208 Pages | ISBN: 1517905451 | PDF | 2 MB An inquiry into the phenomenology of "woman" based in the relationship between lived time and sexual violence Feminist phenomenologists have long understood a woman's life as inhibited, confined, and constrained by sexual violence. In this important inquiry, author Megan Burke both builds and expands on this legacy by examining the production of normative womanhood through racist tropes and colonial domination. Ultimately, Burke charts a new feminist phenomenology based in the relationship between lived time and sexual violence. By focusing on time instead of space, When Time Warps places sexualized racism at the center of the way "woman" is lived. Burke transports questions of time and gender outside the realm of the historical, making provocative new insights into how gendered individuals live time, and how their temporal existence is changed through particular experiences.Providing a potent reexamination of the theory of Simone de Beauvoir-while also bringing to the fore important women of color theorists and engaging in the temporal aspects of #MeToo-When Time Warps makes a necessary, lasting contribution to our understanding of gender, race, and sexual violence.  Free Download Whatever Happened to Slade? : When the Whole World Went Crazee Daryl Easlea English | 2023 | ISBN: 9781783055548 | 480 Pages | True ePUB | 1.26 MB  Free Download Christian Biet, "What is the Theatre?" English | ISBN: 1138701653 | 2019 | 616 pages | PDF | 6 MB What is the Theatre? is one of the most coherent and systematic descriptions and analyses of the theatre yet compiled. Theatre is, above all, spectacle. It is a fleeting performance, delivered by actors and intended for spectators. It is a work of the body, an exercise of voice and gesture addressed to an audience, most often in a specific location and with a unique setting. This entertainment event rests on the delivery of a thing promised and expected - a particular and unique performance witnessed by spectators who have come to the site of the performance for this very reason. To witness theatre is to take into account the performance, but it is also to take into account the printed text as readable object and a written proposition.  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