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Sexual Violation in Islamic Law Substance, Evidence, and Procedure

Sexual Violation in Islamic Law Substance, Evidence, and Procedure
Free Download Hina Azam, "Sexual Violation in Islamic Law: Substance, Evidence, and Procedure"
English | 2017 | ISBN: 1107476062, 1107094240 | PDF | pages: 304 | 1.6 mb
This book provides a detailed analysis of Islamic juristic writings on the topic of rape and argues that classical Islamic jurisprudence contained nuanced, substantially divergent doctrines of sexual violation as a punishable crime. The work centers on legal discourses of the first six centuries of Islam, the period during which these discourses reached their classical forms, and chronicles the juristic conflict over whether or not to provide monetary compensations to victims. Along with tracing the emergence and development of this conflict over time, Hina Azam explains evidentiary ramifications of each of the two competing positions, which are examined through debates between the Ḥanafī and Mālikī schools of law. This study examines several critical themes in Islamic law, such as the relationship between sexuality and property, the tension between divine rights and personal rights in sex crimes, and justifications of victim's rights afforded by the two competing doctrines.

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Selfless The Social Creation of You

Selfless The Social Creation of You
Free Download Brian Lowery, "Selfless: The Social Creation of "You""
English | ISBN: 006291300X | 2023 | EPUB | 272 pages | 1 MB
Social psychologist and Stanford professor Brian Lowery presents a provocative, powerful theory of identity, arguing that there is no essential "self"-our selves are social creations of those with whom we interact -exploring what that means for who we can be and who we allow others to be.

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Self-Improvement An Essay in Kantian Ethics

Self-Improvement An Essay in Kantian Ethics
Free Download Robert N. Johnson, "Self-Improvement: An Essay in Kantian Ethics"
English | ISBN: 0199599343 | 2011 | 192 pages | PDF | 917 KB
Is there any moral obligation to improve oneself, to foster and develop various capacities in oneself? From a broadly Kantian point of view, Self-Improvement defends the view that there is such an obligation and that it is an obligation that each person owes to him or herself. The defence addresses a range of arguments philosophers have mobilized against this idea, including the argument that it is impossible to owe anything to yourself, and the view that an obligation to improve onself is overly 'moralistic'. Robert N. Johnson argues against Kantian universalization arguments for the duty of self-improvement, as well as arguments that bottom out in a supposed value humanity has. At the same time, he defends a position based on the notion that self- and other-respecting agents would, under the right circumstances, accept the principle of self-improvement and would leave it up to each to be the person to whom this duty is owed.

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Scripting the Nation Court Poetry and the Authority of History in Late Medieval Scotland

Scripting the Nation Court Poetry and the Authority of History in Late Medieval Scotland
Free Download Katherine H. Terrell, "Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland "
English | ISBN: 0814214622 | 2021 | 234 pages | PDF | 4 MB
Scripting the Nation is the first book to set the poets of Scottish King James IV's court-William Dunbar, Walter Kennedy, and Gavin Douglas-in an extended dialogue with Latin and vernacular traditions of historiography. In the fourteenth and fifteenth centuries, Latin chroniclers such as John of Fordun and Walter Bower argued for their nation's status, using genealogically based myths of origin that linked Scotland to ancient centers of power. As vernacular histories grew more Anglophobic and quarrels rooted in the past continued to influence Anglo-Scottish diplomacy, Dunbar, Kennedy, and Douglas took up a national discourse that responded to English myths and an English poetic tradition exemplified by Geoffrey Chaucer. Terrell's elegant study examines how these Scottish writers marked out a distinct realm of Scottish cultural and poetic achievement, appropriating and subverting English literary models in ways that reveal the interplay between literary and historical authority in the scripting of nationhood.

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Scientific Testimony Its roles in science and society

Scientific Testimony Its roles in science and society
Free Download Mikkel Gerken, "Scientific Testimony: Its roles in science and society"
English | ISBN: 0198857276 | 2022 | 320 pages | PDF | 3 MB
Scientific Testimony concerns the roles of scientific testimony in science and society. The book develops a positive alternative to a tradition famously expressed by the slogan of the Royal Society Nullius in verba ("Take nobody's word for it"). This book argues that intra-scientific testimony-i.e., testimony between collaborating scientists-is not in conflict with the spirit of science or an add-on to scientific practice. On the contrary, intra-scientific testimony is a

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Science Fiction in India

Science Fiction in India
Free Download Shweta Khilnani, "Science Fiction in India"
English | ISBN: 9354353371 | 2022 | 276 pages | PDF | 7 MB
Indian Science Fiction has evolved over the years and can be seen making a mark for itself on the global scene. Dalit speculative fiction writer and editor Mimi Mondal is the first SF writer from India to have been nominated for the prestigious Hugo award. In fact, Indian SF addresses themes such as global climate change. Debates around G.C.C are not just limited to science fiction but also permeate in critical discussions on SF. This volume seeks to examine the different ways by which Indian SF narratives construct possible national futures. For this looking forward necessarily germinates from the current positional concerns of the nation. While some work has been done on Indian SF, there is still a perceptible lack of an academic rigor invested into the genre; primarily, perhaps, because of not only its relative unpopularity in India, but also its employment of futuristic sights. Towards the same, among other things, it proposes to study the growth and evolution of science fiction in India as a literary genre which accommodates the duality of the national consciousness as it simultaneously gazes ahead towards the future and glances back at the past. In other words, the book will explore how the tensions generated by the seemingly conflicting forces of tradition and modernity within the Indian historical landscape are realized through characteristic tropes of SF storytelling. It also intends to look at the interplay between the spatio-temporal coordinates of the nation and the SF narratives produced within to see, firstly, how one bears upon the other and, secondly, how processes of governance find relational structures with such narratives. Through these, the volume wishes to interrogate how postcolonial futures promise to articulate a more representative and nuanced picture of a contemporary reality that is rooted in a distinct cultural and colonial past.

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Schoenberg and Hollywood Modernism

Schoenberg and Hollywood Modernism
Free Download Kenneth H. Marcus, "Schoenberg and Hollywood Modernism"
English | ISBN: 1107064996 | 2016 | 422 pages | PDF | 14 MB
Schoenberg is often viewed as an isolated composer who was ill-at-ease in exile. In this book Kenneth H. Marcus shows that in fact Schoenberg's connections to Hollywood ran deep, and most of the composer's exile compositions had some connection to the cultural and intellectual environment in which he found himself. He was friends with numerous successful film industry figures, including George Gershwin, Oscar Levant, David Raksin and Alfred Newman, and each contributed to the composer's life and work in different ways: helping him to obtain students, making recordings of his music, and arranging commissions. While teaching at both the University of Southern California and the University of California, Los Angeles, Schoenberg was able to bridge two utterly different worlds: the film industry and the academy. Marcus shows that alongside Schoenberg's vital impact upon Southern California Modernism through his pedagogy, compositions and texts, he also taught students who became central to American musical modernism, including John Cage and Lou Harrison.