The Big Book of War Propaganda Posters Volume Two A Kindle Coffee Table Book

(This is the second volume of a three-volume set of war propaganda posters. It features over 200 high-resolution images that have been digitally-enhanced in order to give them maximum impact.)
This 3-volume series of propaganda posters is focused on the vast amount of propaganda that was produced for World War One and World War Two, with the First World War representing the first time that governments had produced large-scale organized amounts of propaganda in order to influence public opinion and to encourage certain values and ideas among their populations. The propaganda poster became perhaps the most important and interesting form of propaganda produced by all the governments involved in the two world wars.
This series of Kindle Coffee Table Books consists of nearly 700 war propaganda posters, mostly from the United States (which produced nearly 200,000 different designs), but also from a number of other countries. The bulk of the collection is from World War Two, with a smaller number from World War One. Chapters have been organized to represent different themes. They include such things as encouraging people to buy war bonds, motivating workers in factories to produce more armaments and other war necessities, warning soldiers about the dangers of venereal diseases, creating a patriotic fervor among the populace and, of course, demonizing the enemy. Posters were placed in places such as factories, post offices, train stations, schools, restaurants, and stores.
Many of the posters in this collection are rather dark and even gruesome, and one of the more troubling aspects of the posters is the vicious racist portrayals of the enemies, primarily the Japanese. Apparently, if you wanted to demonize the enemy in wartime, it was considered permissible to be over-the-top in depicting racist images.
But the main purpose of this series is to foster an appreciation for the art and the artists that created these remarkable posters. Competitions were held among government agencies, which would then choose the best designs. The artists were not compensated for their work, but perhaps saw it as their patriotic contribution to the war effort.