Theorizing Bruce Lee Film, Fantasy, Fighting, Philosophy

"Taking on Martin Heidegger and Slavoj ÄiPek as well as drawing on Jacques Derrida, Michel Foucault, Guy Debord, Jacques RanciFre, Rey Chow, and Stuart Hall, among others, Bowman shows how Bruce Lee 'speaks' to the philosophical debates that frame our understanding of global popular culture today. Although Bowman may not be able to resolve the philosophical battles surrounding our ability to 'know' Bruce Lee, he does a remarkable job of articulating why Bruce Lee remains an essential force within not only world cinema but global culture û both 'high' and 'low.' Armoured with his philosophical nunchakus, Bowman goes to battle with anyone who may doubt Lee's ongoing importance, and this book will undoubtedly become essential reading for everyone (from philosopher to kung fu practitioner) interested in popular culture and Asian cinema."ûGina Marchetti (University of Hong Kong), author of Romance and the "Yellow Peril": Race, Sex and Discursive Strategies in Hollywood Fiction, and From Tian'anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989-1997.
Theorizing Bruce Lee is a unique work, which uses cultural theory to analyse and assess Bruce Lee, and uses Bruce Lee to analyse and assess cultural theory. Lee is shown to be a major 'event' in both global film and global popular culture û a figure who is central to many intercultural encounters, texts, and practices. Many key elements of film and cultural theory are employed to theorize Bruce Lee, and Lee is shown to be a complex û and consequential û multimedia, multidisciplinary and multicultural phenomenon. Theorizing Bruce Lee is essential reading for anyone interested in Bruce Lee in popular culture and as an object of academic study.


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