Certified Indian Classical Dance -Bharatanatyam 2021

What you'll learn
English medium of instruction
Indian Classical Dance
Bharatanatyam
Exercise, the Indian traditional way
Requirements
Good net connection
Description
INTRODUCTIONBharatanatyam and Yoga are two ways that exist to help us understand the manifestation of the Divine in the human form. Both of these wonderful arts are products of Sanathana Dharma, which is the bedrock of Indian culture. The Natya Shastra of Bharata Muni lays emphasis on not merely the physical aspects of Bharatanatyam, but also on the spiritual and esoteric nature of this art form. Both of these arts are also evolutionary sciences for the spiritual evolution of the human being to the state of the super human and finally the Divine.The spiritual and Yogic nature of Bharatanatyam, is very well explained in the following comment by our Guru Yogamani, Yogacharini, Puduvai Kalaimamani Smt Meenakshi Devi Bhavanani who is eminently qualified to talk on this subject being both an eminent world famous Yogini and a distinguished Bharatanatyam artist, rolled into one dynamic being."Bharatanatyam is a Yoga, if Yoga means union. For surely this ancient art is one of the most beautiful and satisfying ways of expressing the human longing for union with the Divine. As an art form, Bharatanatyam demands conscious understanding of body, mind and emotions. The sincere dancer must understand the nature of Bhakti and Jnana and the innate longing in all living creatures for Samadhi or cosmic consciousness. The 'Divine dance of energy' in the universe, so graphically and beautifully represented by Lord Nataraja, the lord of dance is the source of inspiration for all Bharatanatyam artists who understand the deeper aspects of their art. Especially for the youth, this Divine art is a boon for it shapes the body into graceful controlled beauty, the mind into alertness and sensitivity and the emotions into controlled and purified receptors for the deepest inner longings of humankind. Lord Shiva himself blesses those young people, who take to this art, offering their profound interest, their love and their discipline as Dakshina. Such true Sadhaks then find that Satyam, Shivam and Sundaram – truth, goodness and beauty do flower in their lives, boons granted gladly by the lord of dance to his ardent devotees."In modern time, both of these elevating spiritual arts have been the victim of degeneration to such an extent that Bharatanatyam is only treated as a decorative performing art and Yoga as a 'Keep fit' exercise thus negating the very soul of these art forms. The depths of the spiritual concepts of these arts have been by far and large lost and they are being practised only at a very superficial and mundane level.However, there exists a ray of hope at the end of this dark tunnel, as slowly and steadily many of the practitioners of these arts are awakening to their real inner meaning. Many of them are taking concrete steps to bring back the real meaning into the practice of these arts, which are actually 'lifestyles' in their true nature.
Overview
Section 1: Introduction
Lecture 1 Introduction
Lecture 2 Theory Lecture of teacher
Lecture 3 Indian Dance Choreography
Lecture 4 Indian Dance Choreography
Lecture 5 Indian Dance Choreography
Lecture 6 Indian Dance Choreography
Lecture 7 Indian classical Dance choreo
Lecture 8 Indian classical Dance choreo
Lecture 9 Indian classical Dance choreo
Lecture 10 Practical Instruction
Lecture 11 Practical Instruction
Lecture 12 Practical Instruction
Lecture 13 Practical Instruction
Lecture 14 Practical Instruction
Lecture 15 Practical Instruction
Lecture 16 Practical Instruction
Lecture 17 Practical Instruction
Lecture 18 Practical Instruction
Lecture 19 Practical Instruction
Lecture 20 Lessons from teacher
Lecture 21 Practical Instruction
Beginners to advanced
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